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by
Scott Tilley
I've
been waiting a long time to purchase a digital
camera. Until now, I felt that the quality of the images were inferior to
old-fashioned print photographs. A few weeks ago, I finally changed my mind and
purchased one of the newer models on the market: the Canon PowerShot S100, also
known as the Digital ELPH. The camera is a wonder of engineering: so small that
it fits in your shirt pocket, so easy to use that it truly is point-and-click,
and so good that the pictures it captures rivals -- or betters -- those produced
with a high-end non-digital camera. I'm sold: digital photography has officially
arrived, and the sooner you make the switch, the better.
Last Fall I bought a replacement camera for my old Minolta, which I have had
since 1986. The Minolta had served me well, but it was starting to show signs of
age: it had been repaired several times for a faulty shutter button, and it was
quite heavy compared to newer cameras. After looking around at the local
electronics stores, reading a few reviews, and talking with a friend who had
recently shopped for a new camera, I finally decided on the Canon ELPH LT.
The ELPH
The
ELPH LT is an ultra-compact camera that I had
heard good things about. It can take pictures in Classic (C), Wide Angle (H)
and Panoramic (P) mode. It also supports the Advanced Photo System (APS), which
means loading film is a simple matter of dropping the cartridge into the slot
and closing the lid. The camera weighs just over 4 ounces and is small enough to
fit in a shirt pocket. In other words, it's a great camera to carry with you. It also has auto-focus, a built-in flash, and
time/date stamping on the photos. All of this is great for photography novices
like me.
The only drawback to the ELPH is that it's an analog camera: you must still
take the film to a developer before you can see the pictures. You can have
digital images produced from analog cameras, either by scanning the photographs
yourself (which is time consuming) or by having your developer do it for you
(which is easier, but
more expensive). I tried both options and settled on outsourcing the work to the
developer. You can have the digital images returned to you on a CD-ROM from
Kodak, or have the pictures placed on the Web for secure retrieval. If
you're an AOL subscriber, you can use their "You've Got
Pictures" service, which I found works very well.
As
an example, if you select the Kodak CD-ROM option, the digital pictures are
returned to you in JPEG format in several resolutions, with the usual tradeoff
of image size for image quality. The wide-angle (H) picture of me (shown at right)
can be seen at low
(384x256; 14KB), medium (768x512;
59KB), and high resolutions (1536x834; 353KB).
The picture was taken
with the ELPH in front of Big Ben in cloudy London. The quality of the images is
quite good, however, marks and scratches can be seen on the medium and high
resolution versions, probably as a result of dirt on the scanner. The real question is one of cost and convenience: when does the cost
of creating both regular and digital versions of your pictures become too
expensive? When is it time to go totally digital? After having four rolls of
film developed in this manner, I felt the time had arrived: I was ready for digital
photography.
The Digital ELPH
Since
I liked the analog ELPH, I was intrigued when I read about a new camera on the
market: the Digital ELPH, officially known as the Canon PowerShot S100. As
can be seen from the photo of the camera at right, it looks quite similar to its
analog sibling. In fact, it's nearly the same size as the ELPH LT. The only
difference is that the Digital ELPH is slightly heavier (6.7 oz., without batteries)
and comes in a stainless-steel
casing, whereas the ELPH LT comes in a plastic casing.
When I say this
camera is small, I mean it. This animated
graphic from the Canon
Powershot Web site shows just how small the Digital ELPH really is: about the size of an audio
cassette! I selected the Digital ELPH over other cameras in part due to its
size: just like I carried the ELPH LT in my shirt pocket, I can now carry the
Digital ELPH in my shirt pocket. All the other digital cameras of similar
quality I looked at were much larger. When the camera is powered off, a lens cover flips closed when the
lens retracts, in order to protect the glass. The lens provides a nice 2x
optical zoom, which can be augmented with the built-in 4x digital zoom.
The camera is equipped with a three-point auto focus system
that permits it to automatically select the primary subject, even if the
subject is off-center. Camera settings are all changeable through the very usable graphical user
interface overlaid on top of photos displayed on the LCD. Menu-driven icons are used
to represent typical functions and settings. The only slight area of confusion I
encountered was that the menus are different when the camera is in play mode (to
review photos on the LCD) versus record mode.
Image Quality
The Digital ELPH supports three different image quality settings:
- Super-Fine / Large: 1600x1200; 1458KB
- Fine / Large: 1600x1200; 580KB
- Fine / Small: 640x480; 153KB
As with all types of digital images, there is a tradeoff between image size
and image quality. Nevertheless, I found even the lowest-resolution setting
produces very high-quality images -- certainly more than sufficient for creating
pictures to be placed on a Web site. All images are taken with the digital
equivalent of 100 exposure.
The Digital ELPH has four flash settings, the most common of which is
AutoFlash. I found this setting works well inside, but the manual FillFlash
setting is sometimes needed for outdoor shots when the subject in partially in
shadow. The camera also
features a slow-sync speed flash mode, for sunsets or other large scale shots,
but I haven't tried it yet.
Here are a few sample photographs from the Digital ELPH, taken at different
times, using different settings, and in quite different environments:
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A high-resolution image of my cat, Moriarty,
taken inside without the flash (1600x1200; 438KB). The outside light is
shining through the blinds, behind Moriarty, making her face slightly
dark. In this case it would have been better to have used the FillFlash, but I didn't know that at the time (this was one of the first
pictures I took with the Digital ELPH). |
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A low-resolution image of a dog swimming
towards ducks in Big Bear Lake in California (640x480; 156KB).This picture
was taken very rapidly and without any manual focus. The dog jumped into
the lake and started swimming after the ducks so quickly that it startled
me. Considering these factors, the lake's colors and rippled water came out
reasonably well. |
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A low-resolution image of the San
Bernardino mountains at 7500 ft. (640x480; 65KB). The photo was taken from
a rest stop on a very winding road up to Big Bear from Riverside. The
mountains in the picture are several dozen miles away. The bright blue sky
was captured very well, with the focus set to "infinity." Notice
the snow on top of the mountains. |
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A low-resolution image of a view of the University
of California, Riverside campus from local Box Spring Mountains (640x480;
94KB). The colors are a little more muted here than in the image of the San
Bernardino mountains shown above. The sky is also not as clear, reflecting
the unfortunate haze and smog in the area on this very hot day. |
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A medium-resolution image of flowers
in front of a house in my neighborhood in Riverside (800x600; 90KB). This image was originally a high-resolution 1600x1200 image, then
resized to medium resolution using PhotoShop. The combination of the blue sky,
greenery, and varied colors of the flowers came out very well in this
picture. |
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A low-resolution image of me trying to
golf in 114F heat of Palm Desert (640x480; 122KB). The many subtle greens
in the image show quite well, considering I am not in the direct sunlight
and I had someone quickly snap the photo for me. Thank goodness for the
misting machines: it might be a dry heat in the desert, but 114F is still HOT!
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Manipulating the Digital Images
Images in the camera are stored on a
CompactFlash card. The Digital ELPH comes with an 8MB card, which can store
about 4 images at Super-Fine/Large resolution, about 12 images at Fine/Large
resolution, and about 48 images at Fine/Small resolution. CompactFlash cards up to 192MB are currently
available, but they remain expensive: a 32MB card costs about $100, a 64MB card
costs about $200, and a 128MB card costs about $350 in my area.
The images can be manipulated while still in the camera (e.g. rotated), but it's easier to use a proper PC to do this. To download the images from the computer,
a USB cable (provided) is used. At 12 Mbps, the images are downloaded very
rapidly. If this is not fast enough for you, then PC Card adapters are available
for the CompactFlash cards.
Canon ships the Digital ELPH was some very good software to accompany the
camera. It comes with Adobe PhotoDeluxe and
PhotoStitch (for both Macintosh and Windows), as well as with ZoomBrowser EX for
Windows and ImageBrowser for the Mac. The
PhotoStitch software is used to create panoramic images composed of several separate
but related images. The individual images are taken using a special setting on
the Digital ELPH. I particularly like the ZoomBrowser EX software: it handles
downloading of images from the camera to the PC and managing the stored photos
once downloaded. The printing capabilities are especially noteworthy, enabling
even novices to create professional-looking pictures that -- when printed on
photo-quality paper -- look nearly indistinguishable from 8x10 glossies produced by a
regular camera.
Camera or Computer?
One might ask why is SIGPC reviewing a camera, digital or otherwise. The
reason is that the Digital ELPH is really a very powerful computer in its own
right, just one that happens to run an embedded operating system and is attached
to a fixed camera lens. It uses a dedicated digital signal processor (DSP) to achieve high-speed
image processing. According to Canon:
All images
are recorded as JPEG files and a built-in buffer memory allows continuous
burst-mode shooting of up to 2 frames per second when set to its maximum
resolution of 1600x1200. The interval between shots in single frame mode is only
1.7 seconds. In addition, basic operations such as camera start-up, high-speed
search mode during playback, image enlargement and image scrolling, can be
executed swiftly, due to the DSP's high-speed
compression and decompression operations.
Using a digital camera really does change the way you take photographs. No
longer do you have to worry about taking just the perfect shot, for fear of
wasting film. With the Digital ELPH, you can be much more experimental: take a
photo and immediately look at it in the LCD screen. Keep it if you like it, or
delete it immediately if you don't like it. Even if you keep it, the cost is
nil.
There are several more technical reviews of the Digital ELPH available
elsewhere on the
Web. In this article I just wanted to give you my personal impression of the
camera from a regular user's point of view. The Canon advertisements for the S100 ask "Are you digital yet?" I
can now answer "yes." |